Matthias Müller Movies

Time and again, the feature film places animal actors at the side of its human protagonists – sometimes as loyal companions, sometimes as...

2001 film by Muller

In Phantom, each face, each body appears, like cinema itself, from beneath a curtain that flutters and flickers to reveal haunted silhouettes that...

Promises is based on a selection of sixteen prints from a collection of vintage wedding photographs. The video pulses violently from one bouquet of...

“While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with...

This is somebody, nobody, anyone. This is us in the course of time. Persistently, in vain. The self is the need for permanent self-assertion.

"With their montage of found footage of audiences, Müller and Girardet shape a captivating dramatic arc. It contains condensed suspense with...

The body as a wound that never heals.

Album also represents a further step on a path Müller set off on several years ago: away from festivals and toward the art market. Album does...

2004 short by Muller

A woman, a man, guests at an evening party. Settings, which are gradually abandoned; the remains of an event, gazes that have lost their object.

2002 short by Muller

When a convicted felon fails to return from his prison leave and a young woman is found murdered, forensic psychiatrist Roman Mettler finds himself...

A reminiscence of a friend who had died of AIDS. His own mourning finds expression in the blending of found and original material, which seems to...

Brasília, the "city of hope", "the ultimate utopia of the 20th century" , is being conserved as a cultural heritage today. It is a place as...

A paean to light, a glittering bodice of a film that rapturously unfolds its subject with a shimmering luminosity.

Matthias Müller's SLEEPY HAVEN is explicitly taking up the spirit of Kenneth Anger's FIREWORKS. SLEEPY HAVEN materializes fantasies of an erotic...